...will he ever win?

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November 20, 2008


John K

My Interview With Ed Benedict

Speaking of The Flintstone Laser Disk I did for Fred Seibert, there were all kinds of extras in the set. In the booklet, I printed an interview with Ed Benedict. Ed's designs were a huge influence on me, and what made Hanna Barbera's early cartoon style so instantly recognizable. Ed is an even bigger curmudgeon than me who hated everything he did. Famous animator Clay Croker printed the entire

November 20, 2008 05:20 PM


Drawn!

Coraline Site Up

Coraline.com has been up and running for some time now, but with nothing worth noting. Until now. And it looks good. So far, I’m very impressed with the PR campaign for Henry Selick’s up-coming stop-motion feature produced entirely at LAIKA. First of all, check out the mystery packages they sent out to various members of the press. You’ll notice from that post a password to enter once you’re on the film’s site. Enter it (buttoneyes) and you’ll be treated to a vignette on the various characters in the film. There’s more. I’ve been able to scrounge around other passwords (thank you, internets), if you’re curious:

stopmotion
moustachio
puppetlove
armpithair
sweaterxxs

Enjoy! (Oh, and Focus Features? We here at Drawn! are still waiting for our ‘mystery boxes’. Just so you know.)

November 20, 2008 06:15 AM


Uncle Eddie's Theory Corner!

THE BEST PHOTOGRAPHY STUDIO IN THE WORLD?

WARNING: THIS MIGHT NOT BE SUITABLE FOR OFFICE OR SCHOOL.



Thanks to C.H. I can identify the source of the wonderful pictures in this and the previous post. It's "Retro Atelier," a studio in Russia. According to their manifesto (I love manifestos...maybe Theory Corner needs one) they intend to shamelessly ransack the past for lost ideas that we can use in the present. Good for them! We're desperately in need of it!


http://www.retroatelier.com/en/lobby/

Thanks also to Frank (himself a professional photographer), who wrote to Retro Atelier to find out who was responsible for all this. He was answered by the art director, Alex Galushkoff who said that the studio consists of himself, a photographer, set designer, costume designer, hair dresser and Photoshop master. The names of the models are all on the site.



It's hard to look at these pictures (above) without imagining stories to go with them. I picture the guy above as the character Emil Jannings played in "Blue Angel." The man is a respectable professor whose career unravels when he falls in love with a worldly cabaret singer.


As with all the pictures here, be sure to click to enlarge.




Wouldn't you kill to make a film with an actress like this (above)? She's the perfect villain! She looks like Edith Evans, the evil housekeeper in "Rebecca."



Nice color (above), and an interesting pose to set it off!



Uh-oh! The spirit of a beautiful girl (above) is either vanishing into, or emerging from the next world.



A gangster (above) plays cat and mouse with his frightened girlfriend. He talks about the horrible things he'd do to the fink who ratted him out. Does he suspect that she did it, or is he just toying with her?



Here's (above) a photo that looks like a fauve/futurist/cubist synthesis. A room full of naked women is probably more plausible in a painting than a photo; still, when seen large, it's really impressive!



Ah, the rich girl (above)...spoiled with Daddy's money, who hangs out with the wrong crowd and who requires the services of a private detective to extricate her. Sounds like something from "The Smoker," doesn't it?



Whatever she (above) heard on the phone has left this girl shattered. Now she has a choice to make: kill herself, or kill the boyfriend who betrayed her.



A nervous girl at a party (above) overhears a man introduce himself as a private detective. Just what she needs! If only it's not too late!



A woman emerges from a room (above) where she has just killed the rich man who threatened to send her back to the gutter. She's not worried. She knows a private detective is on the way, and she'll arrange to have him blamed for the murder.



An idealistic, "Marjorie Morningstar"-type (above). This treatment would be great for commercial portraiture, if you had the right subject and could take the time to do it right. Of course the effect is probably much harder to achieve than I realize.



Retro Atelier tried some 60s-style photography (above), but even that noble studio couldn't make the hippie era work. The 60s had style, but it was also a revolt against style. Everything then was loose and sloppy.



Another of Retro's failures (Above). I hate to dwell on negatives, because I'm such a fan of that studio, but it's a measure of their success that even what may be mistakes are worth discussing.

The attitude of the girl in the picture above is too ironic for my taste. She looks ready to smirk, and that undermines the reality of the picture. The hardest thing for a modern artist to project is simple sincerity.



Back to what Retro does well (above)...a beautiful Deco portrait.



Finally, a woman wearing a Deco-style veil (above). John makes fun of veils all the time, and I used to think veils were ungainly, but that's because I'd only seen the fishnet types. Imagine a mysterious and pretty face beckoning you into the shadows, and over her face is a delicate, vaguely menacing and supernatural pattern like the one above. Surely what she'd tell you would be the prelude to a life-changing adventure!



BTW: I'm busy putting up the "Love Nerds" site. It should be ready by the time I put up my next post!

November 20, 2008 04:21 AM

November 19, 2008


Drawn!

Ana Serrano

Check out the playful paper sculpture work of Ana Serrano. I love this piece, Cartonlandia, a vibrant cardboard microcosm of perfect little houses and vehicles.

You can read an interview with Ana at ReubenMiller.

November 19, 2008 11:54 PM

Gordon Magnin

Interesting collage from magazine images by Gordon Magnin. He creates some great texture and effects from some very simple image manipulation.

November 19, 2008 11:15 PM

Air Lines: art from flight stats

Mario Feese created this surprisingly lovely image, Air Lines, out of global flightpath statistics. He writes:

Every scheduled airliner route has been extracted from booking and airline systems. Every single route is represented by a small line, so the transatlantic racetrack is a sea of lines, whereas African or local Cessna routes are only a subtle hint.

It took several months to gather information and program the software algorithm that interprets inputs like LHRDXBSIN3242AD into vector files.

He’s selling prints for US$38.

November 19, 2008 11:03 PM


Stephen Silver

Schoolism



We just wrapped up the last semester of my character design by Silver course at www.schoolism.com and I wanted to share with you a couple of the students work. I give my students an assignment on week one before I teach them anything and then by week nine they take another stab of it with the knowledge they have acquired. the image on the left is from week one and the one on the right is from week nine. If you are interested in taking the course, the next semester begins Jan.5th 2009. Also here are a couple comments my students have made from the last semester.

This course was a great experience! I think any one who draws characters can benefit from it. It was packed with exercises and lessons to help push my drafting skills. It also was very encouraging to have a Skilled professional go over my own drawings, giving helpful advice along the way. This was money well spent!

-Alan Stewart

I'm very grateful to have learned so many things from this class. I really do not think I would've learned many of these things anywhere else. This course has opened my eyes to many aspects of art in general, including rhythm, balance, appeal, and breathing life into characters through shapes, poses, line art, and much more. I can safely say that these lessons have indeed improved my drawing abilities, and given me a different outlook when it comes to designing characters. All of the lessons, great tips and advice you gave have a permanent place in my mind, a database if you will, of information that I refer to whenever I am drawing characters. What I'm most happy about is the fact that I am now able to bring more life into my characters. And although, I'm not quite as good as I'd like to be yet, I have a better design sense than I did before, and I know this will help me grow. Thanks for all the awesome lessons and fun course Stephen!

- Dave Han

November 19, 2008 09:19 PM


John K

OUR EVOLUTIONARY HERITAGE BLASPHEMED

Here are some scattered pieces of fossil evidence of great days and greater creatures long gone. From these few fragments and my immense powers of deduction I was able to piece together an accurate depiction of primitive life in a more beautiful age. A petrified pair of googly eyes... a couple of gouged out plugs of flesh... A remnant of a paw with the fingernails on the inside of the hand...

November 19, 2008 05:53 PM


Drawn!

Time Life Archive Online

Google, in cooperation with Time Life, has posted a ton of photographs from the Time Life archive online, most of which have never been published before. The photographs are categorized by decade, and if you take a look at the 1950s section, you will find pictures of Walt Disney Studios, many featuring the man himself, but also others featuring the brilliant folks behind the scenes (such as Ward Kimball, Frank Thomas, and who I think maybe Marc Davis?)

November 19, 2008 04:05 PM

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